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Transvestite

Borrowed from the French travestir (itself derived from the Italian travestire, meaning "to change clothes", which is, at the very least, suggestive). A transvestite is the person — often a man in the scenes of erotic games — who wears the clothes of the opposite sex. Not just for a bachelorette party or for a costume, no, but to explore, play, sometimes blur the codes, and sometimes just because a pink dress does well with the personality.

The transvestite, in the world of erotic games and human phantasmagoria, is a kind of magician of desire: someone who manipulates clothes, attitudes, accessories and identities to deliberately cover their tracks. Dressed like a woman (but sometimes the other way around), the transvestite plays with perceptions: we no longer see a single identity, but facets, emotions, gestures that evolve, as if through a mirror. It's not necessarily a question of imitating a woman (or a man, in other configurations), but sometimes of redefining oneself for a moment in another skin — or rather another tunic.

The transvestite in erotic games can play a central role. He leads, he excites, he can be the dominated, the dominator, or sometimes the strange mixture of the two. What fascinates in this form of staging is less the outfit itself (even if it acts, oh yes), than this idea of transgressing the norms of the gaze, of allowing another version of oneself to come into play.
And don't think it's always very serious. Transvestite can also be a sensual joke, a deliciously provocative part of humor, where making fun of the genre becomes an art. Someone in a dress who poses, with a well-behaved bun, can trigger a fit of laughter as well as a friendly tension.
On the aesthetic level, he is the craftsman of detail: the garter well placed, the wig perfectly smoothed, the mouth too red to be discreet, the voice modulated just enough to maintain the mystery... A mix of glamour, theatre, and assumed staging. The transvestite turns the fantasy into a visual, sonorous, and sometimes even gestural feast. Nothing is left to chance: everything is designed so that the imagination runs wild.

But beyond identity games and fancy dress parties, it is also an erotic tool that frees fantasies, that frees the game from a certain norm, from a rigid code. The transvestite is therefore the one who changes: appearance, image, expectations, but also the games themselves. The one that reminds us that desire feeds on nuances, contradictions and surprises — and that, deep down, the game is much more exciting when the rules are no longer so strict. He is a figure of freedom, creativity, and sometimes pure audacity. An invitation to get off the rails, to explore the grey areas, to find pleasure in the unexpected.

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